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When three parents stumble upon their daughters’ pact to lose their virginity at prom, they launch a covert one-night operation to stop the teens from sealing the deal. Leslie Mann (The Other Woman, This Is 40), Ike Barinholtz (Neighbors, Suicide Squad) and John Cena (Trainwreck, Sisters) star in Blockers, the directorial debut of Kay Cannon (writer of the Pitch Perfect series). Zach reviews: Blockers Website: http://www.sandwichjohnfilms.com Youtube Channel for sandwichjohnfilms: https://tinyurl.com/y9f6kf2k Make sure to follow Zach on Twitter-https://twitter.com/popetheking?lang=en Youtube- https://tinyurl.com/y8vjd6k6 Discuss this with fellow SJF fans on Facebook . On Twitter, follow us at @SandwichJohnFilms Please Leave A Comment-

Among the many things that men hold an unfair monopoly on over women are comedies about adults who never progressed beyond childhood. Man-child comedies are basically a subgenre unto themselves, spanning from The Jerk to Dumb and Dumber to the bulk of the Judd Apatow-associated films of the past decade. But why can’t women also be overgrown children for our amusement? Amy Schumer’s Trainwreck this past summer at least scratched in the general vicinity of the itch, but didn’t quite get there, as her character was irresponsible in chiefly adult ways. Where the women-children at? Sisters answers that call with great gusto. The film, starring real-life besties Amy Poehler and Tina Fey, introduces us to the Ellis sisters, Kate and Maura. Maura (Poehler) is a tightly-wound nurse with a deep-seated need to care for and please others. Kate is the opposite, a reckless washout who can hold neither a job nor a residence and whose put-upon daughter (Madison Davenport from From Dusk Till Dawn:

The sci-fi film will achieve the impossible in record time. Story by Matt Cummings The Force truly is with this one. At a stunning at $742.2 million domestically, Star Wars: The Force Awakens is now only $18.3m away from overtaking Avatar as the all-time top-grossing domestic film. With the third-weekend $90.24m sum, TFA took in as much money as some first-run weekend numbers. But the Holy Grail of records - the all-time domestic winner - is the real prize. Held by some as once unbeatable, Avatar 's dominance at No. 1 will likely fall sometime on Tuesday, and will do so in the shortest time ever. At just 16 days, TFA is the fastest film ever to reach the top spot; as a matter of comparison, Avatar took 72 days to do the same. This weekend's box office was once again dominated by Episode VII , which overtook the 2nd highest-grossing release Titanic 's $658.7m and Jurassic Park 's $652.3m. But there were some records TFA didn't beat: the act

Just how big was The Force Awakens this weekend? Read on to find out! Story by Matt Cummings Star Wars: The Force Awakens stormed into local theaters over the weekend, setting several box office records along the way. Some could see it coming: October's trailer release on ESPN generated huge interest, which eventually led to a record pre-sale that saw website crashes and frantic efforts by fans to score first-day tickets. On Monday, Disney reported the final stunning numbers: $247.9m domestically, which shatters the previously held record by Jurassic World earlier this year. And yet, that massive number is only one of several records which The Force Awakens broke. Here are just a few, as provided by BoxOfficeMojo: $57m in its Thursday night "preview", besting Harry Potter and the Deathly Hallows Part 2 ($43.5m) $119.1m on Friday, beating, Harry Potter and the Deathly Hallows Part 2 ($91m) $247.9m domestically, beating Jurassic World ($208.8m)

Sibling comedy is unrivaled. Review by Brandon Wolfe Among the many things that men hold an unfair monopoly on over women are comedies about adults who never progressed beyond childhood. Man-child comedies are basically a subgenre unto themselves, spanning from The Jerk to Dumb and Dumber to the bulk of the Judd Apatow-associated films of the past decade. But why can’t women also be overgrown children for our amusement? Amy Schumer’s Trainwreck this past summer at least scratched in the general vicinity of the itch, but didn’t quite get there, as her character was irresponsible in chiefly adult ways. Where the women-children at? Sisters answers that call with great gusto. The film, starring real-life besties Amy Poehler and Tina Fey, introduces us to the Ellis sisters, Kate and Maura. Maura (Poehler) is a tightly-wound nurse with a deep-seated need to care for and please others. Kate is the opposite, a reckless washout who can hold neither a job nor a residence and whose put-u