It's a character assassination party as Krisha struggles to maintain our interest. Review by Matt Cummings In Writer/Director/Editor Trey Edward Shults' Krisha , complex family values clash when the lone wolf Krisha (Krisha Fairchild) arrives at her sister's suburban Texas Thanksgiving. At first, the tone is friendly as everyone tries hard to accommodate her bra-less 60's style freedoms and battles with sobriety; but eventually, she returns to her old ways, reminding everyone why she left the family in the first place. There's a lot in Krisha that's hard to figure out such as the unnecessary aspect ratio switches and the several long shots throughout. They don't really improve the plot, and Shults' effort looks like a candidate for film class. At just 83 minutes, Krisha wants to be a slow-burn drama about the result of one woman's damage to her family, but like the titular lone wolf it soon starts to unwind. When that happens, its