sandwichjohnfilms

In honor of the four year anniversary of Amy Winehouse's passing, here is a powerful, never-before-seen clip of Yasin Bey (formerly known as Mos Def) , who was close friends with Winehouse, discussing her legacy and celebrating the many gifts she gave to us in her short but rich life. Read our review for the film HERE - Watch the clip after the Jump... From BAFTA Award-winning director Asif Kapadia (SENNA), AMY tells the incredible story of six-time Grammy-winner Amy Winehouse – in her own words. Featuring extensive unseen archival footage and previously unheard tracks, this strikingly modern, moving and vital film shines a light on our culture and the world we live in today. A once-in-a-generation talent, Amy Winehouse was a musician that captured the world’s attention with her unforgettable voice and charisma. A pure jazz artist in the most authentic sense, Amy poured her heart and soul into her music, expressing personal struggles and pain through her intimate lyrics.

The undeniable voice and tragic end of Amy shed an uncompromising light. Review by Matt Cummings In Director Asif Kapadia's documentary Amy , we learn how fame, fortune, and deep-seeded family problems extinguished the bright light that was Singer Amy Winehouse. The Brit was far more than her #1 topper Rehab , her sultry voice turning young heads and even encouraging veterans like Tony Bennett to record with her. But beneath the paparazzi, long eye shadow, and hair extensions was a troubled woman whose problems started early and were ignored by her family until it was too late. Tracing her early life through home movies and on-the-road videos, we learn how Winehouse quickly rose from her North London borough to the heights of popularity. We're there when she takes home a handful of Grammys, but we also see the signs that will eventually undo her: an absent father, an enabling mother, and a husband with addiction problems of his own. Like a blended drink, Wi

A disappointing array of score music profligates an otherwise funny film. Review by Matt Cummings If audiences didn't quite respond to January's comedy caper Mortdecai (ok, they frankly hated it), it might have had something to do with Actor Johnny Depp's "Here we go again" approach to the titular character that kept audiences away. While I loved the film's zaniness, I was wondering whether the soundtrack by Composers Mark Ronson and Geoff Zanelli had anything to do with that experience. After listening to it, I can say an emphatic 'no.' The problem here is that the score is more set-up music and less big riffs that help to identify the actors or push the scene further. Take something like Hong Kong : you must go nearly 3 minutes into the 4:25 track before finding anything remotely like a big theme or a connecting melody. Once you get there, it's all 60's schlock and totally fun, but the wait is almost not worth the time. Jo