Although it tries for something new, the horror flick As Above So Below delivers the same old thing. The found-footage/shaky camera genre feels irrevocably stuck: once a celebrated visceral experience, directors now make us more motion-sick than truly terrified, letting half-baked scripts and shoddy acting turn things into decidedly B-level fare. But rather than evolve it by utilizing standard camerawork and handheld devices - thus celebrating the best aspects of both - we've seen just the opposite: a move to add more cameras and even more shakiness. Such is the state of As Above So Below , a film that dabbles in pseudo-science, dispenses too many horror film cliches, and tries its best to frighten us. Scholar/explorer Scarlett (Perdita Weeks) is a kind of female Indiana Jones: impetuous but highly intelligent, she's carrying on the good work of her deceased father, looking for the mythological Philosophers Stone. Her early journey takes her to Iran, where she bar...