Wave bye-bye to 90 minutes of your precious time. Review by Brandon Wolfe Though a booming surplus in the 1980s, horror movie icons have becoming a scarce commodity in recent years. The glut of villains such as Freddy Krueger, Jason Voorhees, Michael Myers, Chucky, Leatherface, Pinhead and the Tall Man never really found a second generation in the decades since. Ghostface from Scream —more a title than a character, anyway—was the closest thing to come out of the ‘90s. The Aughts had a bit more luck, at least in the form of The Ring ’s Samara and Saw ’s Jigsaw, but even then, it wasn’t quite the same as the old days. Now, in the present day, horror shingle Blumhouse is breaking their backs trying to generate the next big icon, but the likes of Doris Zander and Bughuul aren’t quite sticking the way they intend them to. I bring this up because The Bye Bye Man feels like a very self-conscious attempt at filling that void. Its titular monster, a clawed, hooded specter (he sort of rese