sandwichjohnfilms

The Nice Guys - Original Motion Picture Score takes us back to 70s porn and 80's action style. Review by Matt Cummings If you haven't seen the Russell Crowe/Ryan Gosling 70s PI comedy The Nice Guys , stop reading this review and take your best friend to see this film. Afterwards, read our review ( which you can see HERE ), and then check out our thoughts below on Composer John Ottman and David Buckley's excellent score. The release by Lakeshore Records is a mix of 70's porn and 80's action style that's sure to find an immediate place of worship in your music library. Los Angeles PI's Jackson Healy (Russell Crowe) and Holland March (Ryan Gosling) are not exactly the perfect Dynamic Duo for 1977. The bruiser Healy has been sent to beat up March, who is looking for a missing porn star. But as the two 'meet' with Healy getting the better (broken) hand, the two realize that they're being set up by shadowy and powerful forces. It's re

Criminal - Original Motion Picture Soundtrack sports dark ambience and powerful electronic beats. Review by Matt Cummings Say what you want about the Kevin Costner action/thriller Criminal ( we sure did HERE ), but its excellent score surely wasn't a reason for its disappearance at the box office. Filled with incredible dark electronic beats and beautiful tender moments, Criminal - Original Motion Picture Soundtrack compels us to take in every bit of Composers Brian Tyler and Keith Power's environment. The violent world of spy craft has taken another soldier, this time in murdered CIA operative Bill Pope (Ryan Reynolds). But his sacrifice yields an interesting by-product: he was on his way to pick up the launch codes for the entire American defense network, which was stolen by a shadowy character named The Dutchman (Michael Pitt). The bag's disappearance and location of The Dutchman have also spurred interest by other parties, including the psychotic anarchis

The beautiful score for Brooklyn perfectly matches the film's delicate charm. Review by Matt Cummings Music isn't the only thing ingredient to making a good film, but it's an important element in crafting its tone. Composer Michael Brook's score for Brooklyn does just that, taking us to far away places and times that while strengthening the film's chances for a Best Picture nomination. Told through the eyes of Eilis Lacey (Saoirse Ronan), Brooklyn tells of a young Irish immigrant navigating her way through 1950's New York. After a difficult voyage and period of adjustment, Ellis is swept up in a relationship with a working Italian (Emory Cohen), who instantly falls in love with Ellis' sweet charm. But when her new life is disrupted by tragic news from home, Ellis returns to find that she might not be so ready to leave. Composer Michael Brook grants us with a glimpse into Ellis' world in different ways, from the playful Seasick to t