Christian and Anastasia renew their bondage bloodlush in a film only a masochist would find inviting. Review by Matt Cummings I seriously could not believe how bad 2015's Fifty Shades of Grey was until I went back to my original review. The worst offense was that its story failed to elevate the burgeoning awareness of the lifestyle, settling instead on a flawed character who decides to impart his pain on an unsuspecting doe. It was also a terribly dull affair, offering zero chemistry between its leads, and plodding through its inane plot like a death march. Seen through those lenses, 50 Shades Darker is as faithful a sequel as one could imagine, a bland and boring affair that actually sees less bondage, more of that bad chemistry, and a plot that only a masochist would find inviting. Fresh off her breakup, Anastasia Steele (Dakota Johnson) is seeking big changes in her life, working for an ad agency while trying to put her painful breakup with Christian Grey (Jamie