Woody Allen's newest isn't exactly...new. Or worth your time. Review by Matt Cummings In the era of modern film - one where gritty violence, sexual dominance, and larger-than-life comic book heroes dominate the theaters, Filmmaker Woody Allen is certainly cut from a cloth that seems to be fading. His most recent affair - the dramedy Café Society - also seems tattered at the edges, an uninspiring story of adulthood and the choices one must live with even when those choices make no sense to the audience for which they're intended. Set among the palm trees and stars of 1930's Hollywood, Bobby (Jesse Eisenberg) has come from his Jewish home in New York, hoping to find glamour and purpose away from his father's watch business. However, his powerful casting mogul uncle Phil (Steve Carrell) won't give him the time of day, as he's too busy hob-knobbing with stars like Barbara Stanwyck, James and Betty Davis. Eventually Phil relents, giving Bobby a