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THR is reporting New Line and Dwayne Johnson want to make the earth move for you one more time. The company has hired Neil Widener and Gavin James to write a sequel to San Andreas , the Johnson-starring earthquake disaster movie that grossed over $473 million worldwide last year. A good chunk of the team is due to return for the second installment. Johnson is swinging back to the sequel as is producer Beau Flynn, producing via his Flynn Picture Co. banner. Brad Peyton, who directed the movie, is also returning. The 2015 movie saw Johnson as a search-and-rescue helicopter pilot who teams up with his estranged wife (Carla Gugino) to save their daughter (Alexandra Daddario) when a series of quakes crush Los Angeles and San Francisco. Gugino, Daddario and Paul Giamatti, who played a seismologist, are also expected to return. (Andre Fabrizio and Jeremy Passmore as well as Carlton Cuse wrote the original's script.) Plot details for the new installment are being sheltered

San Andreas is big, loud, summer disaster fun, but is that enough to see it? Review by Matt Cummings Disaster films are always best viewed with the most minimum of expectations: make it big, make it loud, and hope all of the tearful goodbyes aren't too wincing. And although the human drama and the science behind Director Brad Peyton's San Andreas isn't great, the action is superb and performances good enough to warrant you take a chance. The LA Fire and Rescue helicopter pilot Ray (Dwayne Johnson) is a hulking figure whose professional accomplishments in Afghanistan and LA are overshadowed by the constant reminder of loss. One of his daughters perished in a rafting accident, which led to a painful divorce that his soon-to-be ex-wife (Carla Gugino) was forced to accept. Since then, Emma has moved in with a well-to-do architect (Ian Gufford), while Ray saves a young woman after an avalanche near LA. This seemingly small event peaks the interest of a Cal Tech

The bold but flawed Science Fiction drama I Origins strains under its own weight. I Origins suggests that while people possess an original and unreproducible set of eyes, those very same eyes and the memories it seizes can transfer to a yet-unborn person, once their original owner dies. For scientist Ian (Michael Pitt), proving otherwise has become a lifelong dream. Soon, he and research assistant Karen (Brit Marling) seek to prove that the eye is a product of slow, evolutionary change as opposed to its instant creation by some unknown force. The results make Ian famous, but not before a chance meeting with the mysterious Sofi (Astrid Bergès-Frisbey), whose eyes are among the most unique Ian has ever seen. After hooking up with Sofi, the two experience unimaginable tragedy, leaving Ian and Karen to continue their work. Now married and having produced a child, they realize the boy's eyes match those of another man whose recent death have gifted some of his memories to