Bourne comedy riff lacks identity and supremacy. Review by Brandon Wolfe The line on Jesse Eisenberg at the outset of his career was that he was a clone of Michael Cera, specializing in the sort of sensitive, boy-man roles that Cera had cornered the market on throughout the Aughts. 2009’s Adventureland and Zombieland were the chief catalysts in this conception, and indeed, Eisenberg does channel Cera’s unique blend of sweet-natured anxiousness in those films. But Eisenberg wasted little time casting off that persona, overwriting it entirely with his bravura performance in 2010’s The Social Network . From that point on, Eisenberg came to be defined by his sneering petulance and sense of entitlement. He was the cold, calculating genius who not only wanted to defeat you, but to force you to acknowledge his superiority. He was heralded as a unlikely choice to play Lex Luthor in the upcoming Batman v. Superman , but he’s actually a better fit for the role than many seem willing to con